925 Sterling Silver Cubic Zirconia Stones Double Heart Charms

Product Overview

A pair of heart outlines, one set inside the other and joined at the shoulders, with a small integral loop at the base: that is the whole shape, and it is why the piece photographs so well on a chain. Each 925 sterling silver charm is struck hollow, so the heart keeps its presence on the wrist without the metal weight of a solid casting. The face is polished silver inlaid with micro-pave cubic zirconia that runs along the inner heart and sits flush with the metal rather than standing proud of it. For a manufacturer building wholesale silver charms for bracelets, the appeal is practical: it is a stone-set heart that drops into an existing heart-themed collection, takes any of five plating finishes, and can be adapted in size, logo and stone colour for a private-label line.

Double-Heart Construction

• Hollow forming, full silhouette. Both hearts are formed hollow, so the charm reads as a solid heart on the wrist while using noticeably less silver than a casting of the same footprint. - An open frame between the hearts. The gap between the inner and outer heart is cut right through, so light passes behind the stones and the charm never looks like a disc with a pattern stamped on it. - The outer rim carries the shape. The edge of the larger heart is the stiffest part of the form, so the charm holds its outline through stringing, packing and handling. - A shallow body for stacking. Because the form is hollow, several charms can sit together on one bracelet without the cluster turning into a lump. - Bench note for assemblers. Lift the piece by the loop and open the jump ring, not the charm; squeezing the two hearts toward each other is the one handling habit that will distort the setting. - Stone-set look at silver-charm weight. This piece delivers the pave-faced look of silver heart jewelry without the metal cost of a solid body. - Built for volume assembly. It is made to run in volume assembly: the loop, weight and profile stay consistent from piece to piece, which is what a wholesale silver charms for bracelets range needs. - Finishing instead of retooling. A change of plating colour is a finishing step, not a new mould, so a brand can run rhodium for one account and rose gold for another off the same component. - Fits an existing heart collection. At this size and weight the charm sits beside plain and textured hearts without a new design brief; for a studio buying jewelry making supplies wholesale, one component can extend a whole heart range. - Weight you can cost. A fixed unit weight per piece makes metal cost predictable across a run, which matters when one bracelet uses five charms. - Fewer stone-loss claims. Because the cubic zirconia is set into the metal rather than glued into a drilled hole, stones do not come back as after-sales complaints after polishing or tumbling. - Assembly that needs no adapters. One integral loop takes a standard jump ring, so the piece goes onto a chain, a bracelet or an earring finding without a converter. - Custom plating, logo and size changes on the same part. Branding is applied at the finishing stage, so a private-label run does not require different tooling from a stock order. - One supply base. The chains, jump rings, clasps and connectors that go with these wholesale sterling silver findings come from the same factory, so a charm programme does not turn into three purchase orders and three colour matches.

Material & Stone Setting

When we say 925, we mean the body of the piece is solid sterling silver, and the stones are set into that silver rather than into a plated shell. The micro-pave cubic zirconia is colourless, cut to a round brilliant and laid in a continuous line along the inner heart: each stone sits in its own tiny seat with small beads of silver raised between the stones, which is why the row reads as one ribbon of light instead of a series of separate points. Setting is done before the final polish, so those beads are smoothed flush and nothing snags a sleeve or a scarf.

Silver behaves the way solid silver should. It takes a high, slightly warm white polish; left unworn it darkens to the soft grey patina that tells an end customer the piece is real, and a silver cloth brings it back in seconds. Because the base is silver and not brass, a charm that eventually loses its plating on a hard-worn bracelet still looks like silver underneath.

For lines sold to sensitive wearers, the body is sterling silver with no nickel added, and we keep lead and cadmium out of the plating — ask your sales contact for the material statement your market needs. Designers building silver heart jewelry around a single motif tend to use this one as the anchor piece and the plainer hearts as the supporting cast. Consistency is the reason to buy it here rather than piece by piece: these run as a standard line in our sterling silver findings wholesale programme, so the diameter of the loop, the height of the setting and the shade of the finish stay put from one order to the next.

Pairing & Assembly

Chains. A cable or rolo chain in the same finish is the natural partner for a single charm; a box chain gives a cleaner, more modern line, and a figaro or curb carries a stacked bracelet better. The chains come from the same range, so the colour of the charm and the colour of the chain are matched rather than merely similar.

Jump rings. The integral loop takes a standard jump ring. Match the ring gauge to the chain — a heavy curb needs a heavier ring than a fine cable — open the ring sideways, thread the loop and close it flush.

Earring findings. For drops, a leverback or a small hoop keeps the heart facing forward; a stud fitting would let it twist.

Layering. One heart reads as a signature, three read as a theme. Because the body is shallow, odd numbers layer without the necklace looking cluttered, and the shape works next to a plain disc or a birthstone charm.

Silver heart jewelry sets. The most common finished use is a charm-plus-chain set: heart, chain and a small clasp upgrade, boxed as one item for gifting or counter presentation.

Handling and storage before sale. Keep finished pieces in airtight bags with an anti-tarnish strip, away from humidity and direct sun, and handle with cotton gloves during packing — silver marks quickly and a fingerprint can sit on a polished face for weeks.

One order, matched components. Because the jewelry making supplies wholesale range covers chains, jump rings and clasps as well as charms, the whole assembly can be specified in one place against a single finish reference.

Applications in Jewelry Making

Charm bracelet lines. A single double heart on a cable or rolo bracelet is the simplest use; designers building a heart story usually run it as the third or fifth charm in a five-charm bracelet, where the open frame keeps the group from looking heavy. It slots into wholesale silver charms for bracelets assortments without changing the bracelet itself. Necklace focals. Looped onto a fine chain, the heart sits at the collarbone and the pave face catches light as the wearer moves — the usual placement for a hero piece in a small collection. Earring drops. Two charms hung loop to loop from leverbacks or small hoops give a matching pair that uses the same component as the bracelet, which keeps stock simple. Matching a lost piece. Replacing a single charm for a customer is straightforward while the reference and the finish are unchanged.

Specifications

Plating & Finish Options

• Unplated silver. Left as polished sterling, the charm has the warm white of solid silver and will patina with age; it suits buyers who sell the metal honestly and markets that distrust plated goods.
• Rhodium. The whitest and most wear-resistant of the white finishes, and the usual choice when the piece sits next to white gold in the same case.
• Gold plating. A warm yellow tone over silver; send a colour reference or a physical sample so the shade matches the rest of your range.
• Rose gold plating. Softer and pinker than gold, and popular for gifting and bridal edits.
• Silver plating. A bright, even white at a lower finishing cost than rhodium, typical on volume fashion lines.
• Thickness is the wear decision, not the colour. The thin end of the range keeps colour cost down for seasonal or promotional pieces, the middle covers everyday commercial use, and the top of the range is for pieces that will be worn constantly.
• Write colour and thickness together on the order. "Gold" on its own does not describe a finish; the thickness is what determines how long the colour lasts.
• What sits underneath. Because the base of every 925 sterling silver charm we ship is solid silver, a plated piece that eventually wears through still shows silver rather than a grey base metal.
• Batch colour matching. Every run is checked against your approved sample before packing; on a jewelry making supplies wholesale order the difference between a good batch and a rejected one is usually half a shade.

Ordering & Delivery

1. Confirm the design and the finish. Send a drawing, a 3D file or a physical reference with the plating colour and thickness you want. Nothing goes into production until the specification is agreed in writing.
2. Order from 50 pieces. The minimum order on these wholesale sterling silver findings is 50 pieces, which is enough to build a small collection, photograph it and test the market before committing to a full run.
3. Plan for three to four weeks. Production of 925 sterling silver items generally runs 3 to 4 weeks after order confirmation; confirm the date for your own run when you place the order.
4. Approve artwork before production. If the order carries your logo or a modified design, sign off the artwork first — changes made after tooling starts will move the delivery date.
5. Specify how the charms should be packed. Packing format is agreed with your sales contact when the order is placed; tell us whether the charms travel loose, on cards or made up into sets.
6. Agree shipping and payment terms with your sales contact. Freight, destination and payment terms are confirmed on each order rather than assumed from the previous one.
7. Repeat the same specification. Reorder against the original colour, thickness and reference so the next sterling silver findings wholesale batch matches the first; if anything has changed, say so before production starts.

Quality Control & Inspection

Every order runs against a signed approval sample, with checks on incoming material, during production and again before packing, worked on a sampling basis so problems are caught at the bench rather than at the port. Buyers who want an independent look before shipment are welcome to appoint their own inspection agency, and we will open the running production and our records to them. Anything outside the agreed specification is reworked or replaced by us. Goods leave with a packing list plus the material and compliance paperwork your market asks for, including nickel and lead-cadmium statements.

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